紅心女王 Dronningen
安妮（崔娜·蒂虹 Trine Dyrholm 飾）是一名經(jīng)驗非常豐富的律師，擅長的領(lǐng)域是青少年性侵案。她和丈夫皮特（馬格努斯·克雷佩 Magnus Krepper 飾）結(jié)婚多年，夫妻兩人之間的感情非常的穩(wěn)定。在外人眼中，安妮是一位事業(yè)和愛情雙豐收的人生贏家。 可是，安妮的生活在皮特和前妻所生的兒子古斯塔夫（古斯塔夫·林德 Gustav Lindh 飾）搬來和他們同住的那一刻起崩塌了。古斯塔夫的個性粗暴而又叛逆，對安妮這位繼母毫無尊重可言，可就是這樣的針鋒相對讓安妮的內(nèi)心里蕩漾起了別樣的波紋，在古斯塔夫的身上，她找回了久違的激情。最終，安妮和古斯塔夫之間逾越了倫理道德的紅線，而為了挽救這段關(guān)系給自己的家庭和事業(yè)帶來的毀滅性的破壞，安妮決定利用自己的專業(yè)知識，犧牲古斯塔夫。
劇情簡介
安妮（崔娜·蒂虹 Trine Dyrholm 飾）是一名經(jīng)驗非常豐富的律師，擅長的領(lǐng)域是青少年性侵案。她和丈夫皮特（馬格努斯·克雷佩 Magnus Krepper 飾）結(jié)婚多年，夫妻兩人之間的感情非常的穩(wěn)定。在外人眼中，安妮是一位事業(yè)和愛情雙豐收的人生贏家。 可是，安妮的生活在皮特和前妻所生的兒子古斯塔夫（古斯塔夫·林德 Gustav Lindh 飾）搬來和他們同住的那一刻起崩塌了。古斯塔夫的個性粗暴而又叛逆，對安妮這位繼母毫無尊重可言，可就是這樣的針鋒相對讓安妮的內(nèi)心里蕩漾起了別樣的波紋，在古斯塔夫的身上，她找回了久違的激情。最終，安妮和古斯塔夫之間逾越了倫理道德的紅線，而為了挽救這段關(guān)系給自己的家庭和事業(yè)帶來的毀滅性的破壞，安妮決定利用自己的專業(yè)知識，犧牲古斯塔夫。
為你推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
拍得不錯
方中信,周柏豪 ,張兆輝,蔡卓妍,盧海鵬,林雪,李燦森,應(yīng)采兒,苗僑偉,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導(dǎo)演的創(chuàng)新作品，包括導(dǎo)演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導(dǎo)演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導(dǎo)演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業(yè)員致敬的故事；導(dǎo)演楊龍澄的《不一定》，以型格對比色彩重構(gòu)暴力血腥鏡頭；導(dǎo)演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰(zhàn)鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風(fēng)格及不同戲味！
我是臥底2026
鄒兆龍,于榮光,李彥奎,王韜,文東俊,張沙沙,王鉑清影片講述了反扒民警霍濤接受組織任務(wù)，經(jīng)過嚴格訓(xùn)練和對犯罪集團深入的背景調(diào)查后，偽裝混跡扒手群中，建立可信身份后成為打入扒手集團內(nèi)部，與貝爺斗智斗勇，與貝爺偽裝的小飛互相試探，最終在和局長司徒強的緊密配合下，幾經(jīng)波折，逐步瓦解盜竊團伙，道盡各色警匪人物的故事。
筆仙大戰(zhàn)貞子
思雨,孫靜雯,楊青霖,黃佳軍,張冰倩,鄭躍,雷鳴,袁國綱,張磊,曹云青,周以諾,馮惠,崔博涵圣涵高中同寢室的三姐妹，經(jīng)常被學(xué)姐微微欺辱，不堪忍受的三人為了報復(fù)微微，將一段被詛咒的死亡視頻發(fā)給了她，至微微死亡。然而，姐妹三人也難逃貞子纏身的詛咒，室友莉娜離奇死去。走投無路的兩姐妹，決定請筆仙幫忙對付貞子，不料卻招來了另一個強大的惡靈，中日兩大女鬼大戰(zhàn)一觸即發(fā)……
季節(jié)已逝
馮達·埃爾伊義特,埃杰·亞薩爾,埃爾登姆·塞諾卡克Nimet who can not have children, is constantly under the social pressure of not being able to start a family and thus feels incomplete as a woman. Furthermore, upon learning that her beloved younger sister ?znur is fertile, she starts developing envious thoughts. “Unfruitful Times” is the story of the emotional loneliness of those who can not find courage to break the mold of the society and change their lives.
搜查瑠公圳
朱軒洋,吳卓源,張世,梁修身,朱栢康,姚淳耀,張永正,李雪,潘儀君,詹懷云,馬力歐,羅芽里,廖嘉琛,王振復(fù),錢薇真根據(jù)1961年轟動全臺的“瑠公圳分尸大案”改編。刑警趙子午（朱軒洋 飾）與記者張秀秀（吳卓源 飾）在得知女尸案有幕后陰謀后，聯(lián)手搏命找尋真相。警方也隨后發(fā)布巨額懸賞。不料，趙子午父親、抗日將軍趙志升（張世 飾）被列為分尸案嫌犯。媒體得知后開始瘋狂報道，一時間這起混雜血案、輿論、政敵的分尸案鬧得全城震動……
美國勇士
A man with a troubled past decides to turn his life around after a heroic act by training for a mixed martial arts tournament.