影片推薦
鬼鎮1988
午夜之花
北川景子,森田望智,佐久間大介,渋谷龍太,澀川清彥,田中麗奈,光石研,池內博之國王理查德
威爾·史密斯,黛米·辛格頓,薩尼雅·西德尼,安潔紐·艾莉絲-泰勒,喬·博恩瑟,托尼·戈德溫,米凱拉·拉沙·巴塞洛繆,達尼埃萊·勞森,萊拉·克勞福德,埃里卡·林格,諾亞·比恩,克雷格·泰特,喬賽亞·克羅斯 ,小卡爾文·克勞塞爾,沃恩·W·希伯倫,小吉米·沃克,凱文·杜恩,布拉德·格林奎斯特,布蘭頓·莫拉萊斯,愛麗珂謝弗,安迪·比恩,朱迪思?查普曼,切特·格里索姆,喬納森·貝萊,卡特里娜·貝恩,里奇·索莫,艾琳·庫明斯,湯姆·德格南,弗吉尼亞·施奈德,瓦萊麗·戴維森,漢娜·巴爾福特,梅爾·法爾,瑪麗·帕斯科,赤腳大仙
彭禺厶,許媛媛,林昊然印度超人3
赫里尼克·羅斯漢,瑞哈,莉婭·森,Priyanka Chopra,維克·奧貝歐 Vivek Oberoi,Rajpal Yadav,Kangana Ranaut偷心響叮當
奧利維亞·霍爾特,康納·斯溫德爾,彼得·塞拉菲諾威茨,露茜·彭奇,帕皮·德雷頓,艾德·基爾,詹姆斯·德萊頓,卡倫姆·西維耶,Diane Spencer,Alara-Star Khan,蓋·羅賓斯,Elizabeth Bower,皮埃爾·伯格曼,Aylin Scott,斯圖爾特·惠蘭,Michael Salami,安娜貝爾·庫塔伊,泰勒·沙利文,Belal Sabir,Brooke Henzell同類精選
本能反應
安東尼·霍普金斯,小庫珀·古丁,唐納德·薩瑟蘭限時營救2025
凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy Striar等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾最后的維京人
麥斯·米科爾森,尼古拉·雷·卡斯,拉斯·蘭特,蘇菲·格拉寶,卡爾多·拉扎齊,拉爾斯·博格曼,索倫·莫靈,尼可拉斯·布若,波笛·約根森,安妮特·斯托維爾拜克,麗克·路易絲·安德森,Klaus S?ndergaard,莉拉·諾貝爾,Susanne Breuning,Bue Wandahl,Peter Düring,Alfred R?ssel L?s?,Nomi Bodnia,Joel Hesse Johansen家弒服務
西德尼·斯維尼,阿曼達·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德茱莉婭的眼睛
貝倫·魯埃達,路易斯·奧馬,巴勃羅·德爾基,茱莉亞·古鐵雷茲·卡巴,赫克托耳·克拉拉蒙 ,弗蘭塞斯克·奧雷利亞,克拉拉·塞古拉影視排行
丹下左膳:大岡越前外傳
森山未來,黑木華,每熊克哉,福士誠治,加藤諒,平祐奈,宇梶剛士,相島一之,榎木孝明,橫內正,田邊誠一,田村亮,高橋克典平侍出身、獨眼的劍豪丹下左馬之介(森山未來 飾),奉相馬家當主大膳亮(每熊克哉 飾)之命,前往江戶小野冢道場奪取傳說中的一對妖刀“乾云丸”與“坤龍丸”。他以忠義為念拼死挑戰,卻在激斗中失去了右臂。幸得通緝犯阿藤(黑木華 飾)與與吉(加藤諒 飾)相救,奇跡般地存活下來,化名“丹下左膳”重生。此后,圍繞妖刀的陰謀不斷擴大,敵人接踵而至,連町奉行大岡忠相(高橋克典 飾)也卷入其中——一場關乎忠義與命運的江戶風云由此展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛,蘆田愛菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹,能年玲奈,新井浩文,野本螢一所平凡的中學,1年B組即將迎來春假。不知天高地厚的學生們肆意吵鬧,殊不知一場綿亙數月的風暴正向他們襲來。級任教師森口悠子(松隆子 飾)全然無視這片混亂,靜靜地向學生們做出最后的告白。這個單親媽媽獨自撫養著可愛的女兒(蘆田愛菜 飾),然而女兒最終在游泳池中溺水身亡。警察 認定這是一起意外,森口則認定女兒死于班上兩個學生之手。她不動聲色地指責著犯人A和B,并宣布用自己的方式進行復仇。在此之后,森口辭去教師職務,1年B班的學生也心懷惴惴迎來了春假。新學期開始,殘酷的風暴襲向了這群無知無畏的少男少女……本片根據湊かなえ的原作改編,并成為2010年電影旬報十佳影片;第34屆日本電影學院獎最佳作品、最佳導演、最佳劇本和最佳剪輯4項大獎。
鏢人:風起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上,鏢人、官府、西域五大家族等多方勢力盤根錯節、暗潮涌動。“天字第二號逃犯”刀馬接下特殊押鏢任務,和同伴一起從西域護鏢遠赴長安。不料,他們的護送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來,各方勢力聞風入局,搶鏢廝殺接連上演……