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拍得不錯
方中信,周柏豪 ,張兆輝,蔡卓妍,盧海鵬,林雪,李燦森,應采兒,苗僑偉,宣萱由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！
寒刀凜
劉峰超,張浩,尹鍵,肖琳揚明朝年間，錦衣衛陸欽因罪被發配充軍，途中因緣際會，與樊英押送貪官張嵩回京指認通敵太監王公公。經過生死追逃，最終陸欽犧牲，張嵩抵京，卻被王公公處死于監牢。多年后，王公公被樊英擊殺，善惡終得報。
蜜戀合租
孫志強,徐海文,謝雨欣安諾軒辭高薪逐寫作夢，26歲遭男友陳強出軌并貶其夢想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機合租。兩人磨合中漸生情，雖因誤會分開，安諾軒卻知心意。蘇梓橋助她入職，共退聯姻對象華清泫，獲蘇母認可，婚后安諾軒寫作終成。
黑暗之家
Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak1978年的某個寒冷秋夜，迷路的希羅頓走進了一個偏僻的農場。農場主夫婦熱情地招待了這位不速之客，賓主一起喝酒聊天，談得十分投機。不料人心的貪欲引發了血的悲劇…… 四年后的冬天，姆爾茲警官負責調查這起兇殺案，他和重要證人希羅頓一起前往現場檢證。敷衍了事的調查、嫌疑人的回想……在一片混沌之中，驚人的真相漸漸浮現而出……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
孩子們安好
卡米爾·科坦,莫妮亞·喬柯里,朱麗葉·阿曼尼特,Mano? Varvat,Nina Birman,紀堯姆·谷伊,瑪麗亞姆·阿赫迪歐,弗蘭基·瓦拉赫,Tania Dessources,Camille Lethuillier,馬克西姆·施邦古,Zoé Briau,Jean-Fran?ois Hoche,Pauline Roux,阿麗亞娜·納齊里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani多年以后，蘇珊和她的兩個孩子意外地出現在她姐姐珍妮的家中。起初看起來像是蘇珊在試探性地試圖重新與姐姐建立關系。但隨著晨光的出現，這種幻覺破滅了：蘇珊消失了……內森·安布羅西奧尼的這部親密電影，描繪了一位被迫成為母親的女人，而她對自己的孩子幾乎一無所知。他那極簡主義的敘事方式，卻充滿了深刻的共情，讓觀眾得以觀察這個新生家庭逐漸凝聚的緩慢過程，以及他們內心的恐懼與猶豫，還有那毫無效率的國家機器的荒謬之處。這是一部法國電影，它反映了因必要性而產生的共同生活本質的脆弱性，以及當它源于愛時，它會變得多么強大。