劇情簡(jiǎn)介
英文名：Love Bombs，2013年度最新日本限制級(jí)劇情倫理影片
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精武陳真：租界風(fēng)云
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黃金七令之羅剎風(fēng)云
任子豪,何雨宸,李子雄,李家辛,徐俊,謝昌定,朱翔,曹憶,錢婧睿,張宸彬,高迦瀾,曾慶生,范奇《七令詭事錄》是由徐俊、高悟翔執(zhí)導(dǎo)，任子豪、何雨宸、李家辛、袁祥仁，徐俊、 領(lǐng)銜主演，劉碩、張宸彬、朱翔、胡建偉、李平安、錢婧睿、曹憶等出演的驚悚、懸疑、恐怖片。 該片講述江湖豪俠薛氏兄妹，薛小風(fēng)和薛小花被人陷害被卷入掏心慘案中，隨著黃金七令浮出水面，薛氏兄妹聯(lián)手警察局總探長(zhǎng)段廣龍，將黃金七令背后的秘密一層層揭開(kāi)。
友情的游戲
貝拉·索恩A group of teenagers in a small town discover a strange object that tests the strength of their friendship.
校花與野出租
袁帥,蔡蝶,孫逢苑,王怡蘇,孫小孟野出租司機(jī)雷小軍結(jié)識(shí)?；ê蟮碾x奇經(jīng)歷。一個(gè)野出租屌絲男，意外地得到了?；ǖ那嗖A，正當(dāng)兩人更近一步時(shí)，?；▍s離奇失蹤了……
探魔導(dǎo)師2之王者聯(lián)盟
洪冰瑤,李鶴楠,于洛熙,葛天,王炳喬,劉惠,陳招,阿肯,周劍飛,管貞喧,美伊,安龍,Milano,毛秀婷,毛秀玲,齊冰,馬馳,王啟蘅,金韜,趙寅辰,宋曌晗,侯雪艷,殷曉維,何然,祁建國(guó),張?zhí)煊?肖磊,萌寶寶,侯耀華,騰奎興,郭憶然,趙英龍,鐘小丹,杜邱,馬滿,王虹,黃靜,盧曉倩,李雪,王子彤,劉芯嘉,蔡姿利,張汐,陳志穎,陳婉儀,靈藥,殷若曦,雪千琪,魏鵬,楊錚,慕巖,史蒂文·達(dá)茲,侯晶皓,牛中華,常峰輝,王朋朋,潘靖康,柏樹森,潘臣,汪齊,葛亮,張雪峰這是一個(gè)虛構(gòu)的世界，維爾大陸上小國(guó)林立，且遭遇饑荒，盜匪遍地。為了運(yùn)送賑災(zāi)物資，西斯公國(guó)的迪金國(guó)王開(kāi)展了以“王者聯(lián)盟”為名的比武活動(dòng)，希望能選出在這個(gè)時(shí)刻力挽狂瀾的勇士。然而就在比武進(jìn)行到最后的時(shí)刻，維爾大陸最可怕的四大殺手食上四天王從天而降，屠殺了包括迪金國(guó)王在內(nèi)的西斯公國(guó)幾乎所有貴族，并奪走了國(guó)王的萊恩之劍。 逍遙自在的英雄探魔導(dǎo)師T，在悠哉地?fù)魵⒘税舜髳喝撕?，被表彰為英雄，然而因?yàn)樯贀魵⒘艘幻麗喝?，所以T沒(méi)賺到多少錢。在聽(tīng)聞了食上四天王的惡行以及其高額的賞金之后，T決定自己組建團(tuán)隊(duì)，去打敗四天王，贏得賞金。 T第一個(gè)找到的是另一個(gè)通緝犯，“爆度少女”金坷，金坷表面似乎是個(gè)惡人，但當(dāng)貧民窟的小姑娘被土匪欺凌時(shí)，金坷挺身而出救了小姑娘。T由此認(rèn)定，金坷其實(shí)是個(gè)善良的好人，于是略施小計(jì)讓金坷加入了自己的隊(duì)伍，這個(gè)過(guò)程中，金坷還對(duì)T暗生情愫。 同時(shí)，一直在追查金坷下落的“傳城女警”凱瑟琳也加入了隊(duì)伍，凱瑟琳是警方成員中唯一的傳奇英雄，學(xué)識(shí)豐富，情報(bào)專家，卻因?yàn)樾愿窆⒅倍婚_(kāi)除。加入T的隊(duì)伍后，因?yàn)楹徒鹂涝谏矸萆系膶?duì)立，對(duì)金坷十分厭煩，但金坷卻十分崇拜凱瑟琳，口口聲聲叫她師父?！ 【o接著是“雙槍游俠”盧先的加入。盧先早年從軍，解甲歸田后四處懲惡揚(yáng)善，這一天在當(dāng)鋪贖刀，因?yàn)椴簧蒲赞o而被言語(yǔ)犀利的老板欺負(fù)。這時(shí)進(jìn)店幾個(gè)打劫的，盧先不計(jì)前嫌，三下五除二收拾了這些惡霸，T剛好也在店里，替盧先贖回了武器后，盧先也加入了團(tuán)隊(duì)。 團(tuán)隊(duì)還少了一個(gè)刀法大師，T找到了獨(dú)行浪客，刀劍泰斗京先生。京雙目失明，但眼瞎心不瞎。在被偽裝成妓女的殺手“金刀九旋”暗算后，臨危不亂，在佩刀被奪走的情況下依然輕松擊敗對(duì)手。 在幫助京奪回了寶刀后，T正式邀請(qǐng)京加入團(tuán)隊(duì)：原來(lái)，前來(lái)奪京佩刀的“金刀九旋”是食上四天王派來(lái)的神秘殺手。而團(tuán)隊(duì)組建的目的，就是為了賞善罰惡，緝拿食上四天王。正當(dāng)T說(shuō)得起勁時(shí)，京對(duì)這個(gè)團(tuán)隊(duì)的組成表示了不屑，這引得暴脾氣的盧先和京打了一架，最后以平手收?qǐng)?，盧先也贏得了京的尊重?！ ≌?dāng)T等人愉快地出發(fā)時(shí)，食上四天王的老巢里，他們正在接受上司幻影女王的怒火?；糜芭跻?yàn)樗奶焱鯅Z刀失敗而大怒，決定請(qǐng)高手“暗夜君王”出山幫忙對(duì)付T等人?！ ∑鋵?shí)在T等人出發(fā)之前，還發(fā)生過(guò)這樣一件事，發(fā)布通緝令的圣盾局，其實(shí)其賞金來(lái)源全部來(lái)自死去的迪金國(guó)王的女兒，希維爾公主募集的巨款。而圣盾局的首領(lǐng)，元首其實(shí)是一個(gè)異常狠辣的男人，他一直想要得到一張藏寶地圖，為此不惜草菅人命。這一次，T就成了他利用的棋子。 而這一邊，賞金獵人們正優(yōu)哉游哉地邊修車邊聊天，現(xiàn)在凱瑟琳對(duì)金坷的態(tài)度緩和了，還開(kāi)始教她射擊，而盧先和京在下棋的過(guò)程中，兩人聊起了盧先之前為了救俘虜毫不猶豫揮劍的事，京為此鼓勵(lì)了盧先，盧先深受感動(dòng)。 團(tuán)隊(duì)一行人追查“金刀九旋”來(lái)到一處倉(cāng)庫(kù)內(nèi)，發(fā)現(xiàn)她們已經(jīng)和圣盾局的偵察兵同歸于盡，同時(shí)T還拿到了元首夢(mèng)寐以求的藏寶圖。但他們也落入了幻影女王的圈套，因?yàn)榭膳碌摹鞍狄咕酢痹缫呀?jīng)在這里伏擊?！ ”娙藠^力迎敵，但暗夜君王實(shí)在太強(qiáng)大，一個(gè)人打敗了他們五個(gè)人。五人倒地后，同時(shí)回想起了這一路的艱辛與同甘共苦，想起了互相之間其實(shí)已經(jīng)牢不可破的情誼。五人忍著傷痛站了起來(lái)，這一次，為隊(duì)友，而不是為自己而戰(zhàn)。五人相互配合，互相掩護(hù)，盧先和凱瑟琳壓制住暗夜君王的攻勢(shì)，金坷想辦法牽制住了暗夜君王的雙腿，T將自己的能量給了京，京拔出寶刀“童子切鞍鋼”揮出終極一擊，最終擊敗了可怕的暗夜君王?！ ∈『蟮脑着c幻影女王無(wú)比憤怒，但賞金獵人們卻更加堅(jiān)定地向著前方的道路邁進(jìn)，在互相鼓勵(lì)后，T等人義無(wú)反顧地邁進(jìn)了半個(gè)世紀(jì)一來(lái)從沒(méi)有人活著出來(lái)的夢(mèng)幻峽谷，繼續(xù)為伸張正義做斗爭(zhēng)。
昆池巖
魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟(jì)允,李承旭原名南營(yíng)神經(jīng)精神醫(yī)院的昆池巖精神病院，最早建立于20世紀(jì)60年代。在特殊的時(shí)代它曾經(jīng)歷了無(wú)比的輝煌，然而更為人熟知的則是該醫(yī)院身上所發(fā)生的各類恐怖事件?，F(xiàn)如今，早已廢棄的昆池巖醫(yī)院被CNN票選為全球七大恐怖之地之一，更由此吸引無(wú)數(shù)尋求刺激的青年男女來(lái)此探險(xiǎn)。三個(gè)月前，兩名青少年來(lái)此探險(xiǎn)，結(jié)果在直播中遭遇詭異事件，下落不明。此后，《恐怖世代》劇組在魏河俊的召集下，網(wǎng)羅了吳雅妍、樸智賢、夏洛特（文藝媛 飾）、李丞旭、樸成勛、劉帝允等人前往昆池巖，更試圖打開(kāi)備受詛咒的402室?！ ∫鼓唤蹬R，全球網(wǎng)友一道觀看這場(chǎng)恐怖盛宴……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.