劇情簡介
大藏
為你推薦
鋼琴之子
米奇·艾斯巴爾貝,安娜·卡斯蒂羅,娜烏西卡·邦寧Wolfgang, a ten-year-old boy with an IQ of 152 and autism spectrum disorder, is forced to live with his father Carles, whom he has never seen, after the sudden death of his mother.
美人魚村
梁家仁,于函冰,臧志中,朱鐵和,李健仁,鐘偉強,于夏沫本片是一部跨越百年的愛情傳奇故事。講述了安宇廷因為好奇心驅(qū)使陰差陽錯地來到桃源村，從而在桃源村經(jīng)歷了種種奇遇看到美人魚，最后與村民一起同來傷害美人魚的惡勢力作斗爭，并最終取得勝利......
音樂之聲
朱莉·安德魯斯,克里斯托弗·普盧默,埃琳諾·帕克,理查德·海頓,佩吉·伍德,查爾敏·卡爾,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特懷特,黛比·特納,基姆·卡拉思,安娜·李,波希婭·納爾遜,本·懷特,丹尼爾·特魯希特,諾瑪·威登,吉爾克里斯特·斯圖爾特,馬妮·尼克松,埃瓦德妮·貝克,多麗絲·勞埃德,格特魯?shù)隆ぐ⑺固?弗蘭克·貝克,史蒂夫·卡魯瑟斯,山姆·哈里斯,多羅西·吉金斯,利奧達·理查德斯,杰弗里·塞爾,伯納德·賽爾,諾爾曼·斯蒂凡斯,伯特史蒂文斯,瑪麗亞·馮·特拉普瑪利亞（朱麗·安德魯斯 飾）是一個年輕活潑的修女，喜歡在大自然下高聲歌唱，所以她常常忘記了修道院里的規(guī)矩。院長認為瑪利亞并不屬于規(guī)矩嚴格的修道院。院長與眾嬤嬤商量后，決定安排瑪利亞到一位名叫特拉普（克里斯托弗·普盧默 飾）上校家當家庭教師。上校的妻子去世多年，留下7個孩子，他要求對孩子嚴格管教。他告訴瑪利亞在他家的家庭教師都做不長久，都是因為孩子的惡作劇。瑪利亞果然也遭到了惡作劇，可是這位善良的老師并沒有告訴他們的父親，而是像個母親一樣照顧孩子，很快跟孩子打成一片。上校也漸漸在瑪利亞的引導下改變了對孩子們的態(tài)度。上校與瑪利亞之間發(fā)生了感情，他們完婚后回到了已被納粹占領(lǐng)的奧地利，上校并不想為納粹辦事，一家人準備逃跑……
騙徒與致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃爾詹·杜馬斯,米拉·帕爾泰克,伯恩哈德·舒茨,妮可爾博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,馬格努斯·克雷佩Con artist Fabian, on the run from his pursuers, ends up at a winter wedding where he plans to steal a valuable statue. But then a murder derails his plans.
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡殘?zhí)苼y世，瘟疫橫行，傳言妖女吳雙化為邪祟禍害人間。然而，吳雙的哥哥不良人吳令，從不相信自己善良的妹妹會是所謂妖女，他決心以縫尸還魂的秘術(shù)，復活被斬首的妹妹，在暗影涌動的瘟神廟中，設(shè)下詭局，審判真正的惡人，求一份清白與公道。 影片根據(jù)短篇小說《古廟夜譚》改編。
壞血1986
米歇爾·皮科利,朱麗葉·比諾什,德尼·拉旺,漢斯·邁爾,朱莉·德爾佩,卡羅爾·布魯克斯,烏戈·普拉特,米雷耶·佩里耶,塞爾日·雷吉亞尼,弗朗索瓦·尼格雷特這部電影將寫實與科幻合而為一。一種傳染性性疾病STBO正在國內(nèi)蔓延，它通過沒有感情的性活動傳播。 小偷馬克和漢斯欠一個美國女人一筆錢，她限他們兩個星期還。他們打算去偷一種專治類似艾滋病的藥劑，然后高價轉(zhuǎn)賣。于是他們雇來了亞力克斯，一個正在跟16歲女友麗莎分手的青年。但在計劃實施之前，他迷戀上了馬克的情婦安娜。麗莎卻并沒有死心，在他們動手那天她來到了巴黎，使得事情更加復雜化…… 當然，這是個悲劇。Love that burns fast but lasts forever. 這是導演Leos Carax繼《男孩遇見女孩》后的第二部作品，繼續(xù)他對青春和孤獨等題材的關(guān)注，也就是在此片的五年之后誕生了影史經(jīng)典之作——《新橋戀人》。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster