奧卡 La orca (1976)
The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.
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劇情簡(jiǎn)介
The movie is generally lacking in character development. The film at one point follows the creepiest-looking gangster (Flavio Bucci from the "The Night Train Murders") to his home where he is shacking up with another gangster's wife and her kid, but more than character development this seems to be more an excuse for another sex scene. The Placido character has an interesting flashback of him working on a filthy fishing barge, which is contrasted with a fantasy where he is piloting a yacht. This movie is very class-conscious in the way it has this poor Sicilian boy falling for a rich, northern girl (the Italian title "La Orca" comes from the designer outfit she's wearing). Placido is pretty good here, but this handsome, light-complexioned hunk is not too convincing as a lower-class Sicilian ruffian. As for Neihaus, I can't decide if she is a bad actress, or is just playing a really obnoxious character (she's more Paris Hilton than Patty Hearst). She does get naked several times which, judging from the English, title was the primary consideration.
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牢獄鴛
肯特·馬洛(蒙哥馬利·克里夫特 飾)因酒駕而入獄,并在牢中認(rèn)識(shí)了搶劫犯約翰·摩根(切斯特·莫里斯 飾)和殺人犯機(jī)關(guān)槍布奇(華萊士·比里 飾)。性格軟弱的馬洛入獄第一晚便遭到了布奇的欺凌,隨后他與其他獄友也無法和諧相處,心懷不滿的他在警察密探的慫恿下想要通過抓住布奇和摩根的把柄的方式來提前出獄。性格暴躁的布奇無法忍受牢中惡劣的飲食條件,在餐廳慫恿所有犯人一起抗議,最終遭到壓制,布奇也因此被送往地牢,但他心中已打定主意要設(shè)法越獄。摩根性格狡猾,在獄中一直左右逢源,并因在獄中表現(xiàn)良好得到了提前出獄的假釋機(jī)會(huì),就在他喜不勝收準(zhǔn)備出獄之時(shí),某個(gè)突然而來的事件永遠(yuǎn)改變了他的命運(yùn)。
1863起義者
日出1927
盛夏的度假時(shí)節(jié),一位城市女人來到鄉(xiāng)下滯留,這期間,城市女人誘惑了當(dāng)?shù)氐霓r(nóng)夫并教唆他殺死自己的妻子(Janet Gaynor 飾)以便販賣掉農(nóng)莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時(shí)光,他將妻子帶到河面蓄謀加害,卻在要下毒手時(shí)幡然悔悟,傷心的妻子踏上了進(jìn)城的列車,男人窮追不舍一同抵達(dá)城市。城市里真正是一片花花世界呵,這對(duì)夫妻在街上游走玩樂,在那些小小的玩笑中,甜蜜的冒險(xiǎn)中,他們又找回了愛情的美妙共鳴……和好如初的兩人返回鄉(xiāng)村,不料卻在歸途遇上了肆虐的風(fēng)浪……本片是德國(guó)導(dǎo)演茂瑙赴美發(fā)展后拍攝的第一部作品,曾被多家權(quán)威媒體評(píng)選為默片最佳杰作之一,獲第一屆奧斯卡最佳女演員、攝影等多項(xiàng)褒獎(jiǎng)。